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The something stirring was a cultural eruption of Performing Arts Centers that propped up, almost one after another, across Southern California. First, it was the;
1) $90 million Lancaster Performing Arts Center, (November 1991);
2) $60 million Cerritos Center in northern Orange County (1993);
3) $85 million California Performing Arts Center in Escondido (Oct. 1, 1994);
4) $85 million Performing Arts Center in Thousand Oaks in the Valley.
Besides sharing cultural ambitions, these Performing Art Centers were launched in hopes of revitalizing their economically depressed downtown sectors. Not too surprisingly, the costly Centers were greeted with an equal mixture of enthusiasm and skepticism. For every supporter who viewed them as a solution to sagging economies, an equal number feared their cities had bitten off more than it could chew! However, the jury is no longer out and the verdict is inthe centers have lived up to their expectations, and have made an appreciable impact in their local economies.
Identifying the Need
The IPAC project grew out of a need to seek and pursue alternative entertainment venues when the Lakers and Kings departed for downtown Los Angeles.
Another motivation can be found in the Cultural Arts Master Plan, prepared by Department of Recreation and Community Services and adopted by the City Council, September 17, 1996.
Primarily, the Plan recognized that Inglewood lacked suitable venues for professional quality visual and performing artists. Further, the Plan called for Inglewood to “…develop a multiuse Performing arts center or cluster that should include galleries, theaters, rehearsal rooms and classrooms… as a means for bringing art to the people and people to the art.”
A History of Needs Growing into Action
The desire to have a Performing Arts Center built and managed by a minority community within the greater Los Angeles Basin has been a long held wish for a number of Los Angeles political and civic leaders.
All have been keenly aware that young fine arts aspirants in the inner-city community lacked the opportunity for developing and honing their skills in close proximity to where they live. Such ambitions would generally require trips to more affluent areas of Southern California to gain the training and exposure needed for advance career placements.
Many of these civic leaders were also aware that other Southland cities, such as Lancaster, Cerritos, and Escondido had built full-scale Performing Art Centers with main theaters large enough to feature first-class Broadway-type musicals. These cities are currently enjoying a substantial increase in successful commercial development in the immediate vicinity of their centers. Consequently, a Performing Arts Center in Inglewood was seen as a possible catalyst for increased community in a long-ignored area of the South Bay Basin.
A superior, first-class Performing Arts Center can create the needed momentum to expand and enhance other aspects of the city. There is ample evidence that consumers and tourists alike, look upon a city smart enough to attract and host a world-class production like, “The Lion King,” as being smart enough to provide superior restaurants, clothing stores and other high-end merchandise!
The Inglewood Unified School District Program at IPAC
The Inglewood Unified Performing Arts Program at IPAC will offer an extended High School Advance Studies Program for qualified students seeking a career in the Fine Arts. The Program will be likened to New York’s High School of the Performing Arts, which was featured on both television and film as “F.A.M.A.”
The students will be afforded a “hands-on” experience in all aspects of the entertainment business, along with an opportunity to augment the technical staff of major Broadway plays and musicals at the Main Stage.
Raising the Bar
Inglewood can upgrade its community image by investing in the “strong suite” of its people. The Inglewood Performing Arts Center will provide People of Color with a doorway to the global economy and the new frontier of theatrical presentationsdigital distribution of live stage performancesthat will revolutionize the entertainment industry.
This technological advance, coupled with Inglewood’s close proximity to the Hollywood industry, will draw high-profile stars looking to augment their film and television careers with legitimate stage performances. Further, IPAC’s unique imprint will make it possible for the following groundbreaking opportunities:
- Attract the famed internationally renowned ballet troupe, The Dance Theater of Harlem, to utilize IPAC as it’s Summer Home when preparing for each winter’s season cross-country tours.
- To invite the internationally famed fine arts performing, Bobby McFerrin, to be a resident guest Philharmonic conductor in attracting and developing the South Bay Symphony to play half its season at IPAC.
- Establish a resident drama group, headed by a team of legendary producersRobert Hooks, the famed actor and cofounder of New York’s famed, Negro Ensemble Theater Company, and James Olmos, the star of stage, screen and television, and cofounder of the Latino theater group that produced the legendary, “Zoot Suits.”
- Forge a leadership position in developing and distributing HD digital simulcast of live-performance productions to a network of theaters and other ancillary commercial outlets..
Since Southern California is now twice as dependent on entertainment-related work than a decade ago, Inglewood can become the new Hollywood by achieving these goals.
Can Art be a Catalyst for Revitalizing Inglewood?
The degree to which the new Inglewood Performing Arts Center, besides being a success in it’s own right, will contribute to developing pedestrian-oriented retail and other commercial space in the immediate area, taking into account the many factors which influence real estate decisions.
Most star-studded, first-class Broadway touring productions are usually booked at the The Music Center in downtown Los Angeles, Panatages in Hollywood, The Cerritos Center in Cerritos, South Coast Performing Arts Center in Orange County, or The Lancaster Performing Arts Center in Lancaster. All but two of these sites were built within the last ten to fifteen years, and the rest were built in the 90s.
The surge in Performing Arts Center construction can be traced to the increase among better-financed older citizens, who have shown a preference for legitimate theater over youth-oriented movies. Therefore, city officials in the aforementioned areas have joined in viewing arts centers as a viable strategy for urban renewal.
Location, Location, Location!
While Performing Arts Centers have spread all over Southern California, separated in some cases by a mere ten-to-fifteen miles, none of them are blessed with the strategic location of the proposed Inglewood Performing Arts Center. Namely, the advantage of having an arts center situated within two miles from LAX, one of the world’s leading International Airports.
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